I mentioned the Transient States exhibit earlier this month, the other day I got around to seeing it for myself. I must admit I was initially disappointed. I found the initial photos I looked at were fairly heavily edited in post-production. My expectations of a gallery exhibit were little to no noticeable editing in post.
Blowing a photo up to over a metre does have some interesting effects. For one thing, they tend to look fantastic even if they’re fairly unimpressive photos themselves. At least they look great from a distance, going closer tends to show they have been scaled above their resolution. It also reveals any noise present in an image or unintended motion blur etc so you really have to have your photos up to snuff.
I moved from the right to left of the gallery (I have a sneaking suspicion I went the wrong way as the descriptions tended to be at the end of a series of images). After the initial bout of heavily edited photos things calmed down a little and I was able to appreciate the eye of the various photographers more.
I especially liked a couple of photos by Mark McPherson and Juha Tolonen. They each had an image that told a story, and were also something I just wouldn’t have thought to photograph. For exmaple, one of the images is of a parking lot with a (presumably) recently painted hand rail in bright yellow. Below the handrail is a splash of yellow paint running down the slope. I like how you can feel the frustration that must have been caused when the paint can was knocked over. I think a photo that can tell a story, even a simple one, without needing anything but itself is incredibly interesting.
My favourite photographer was Eva Fernandez, there’s a stunning panoramic of what looks like a Christmas tree on a hill surrounded by suburbia. The stormy clouds really make that image for me. I also liked her discarded objects series featuring weathered household objects such as tables and violin cases that she recovered and photographed in a studio environment, depriving the object of any context.
A number of photographers commented that they were no longer doing street photography or had been forced to take steps to conceal their photography due to a decline in the public perception. Where in the 80’s people were apparently unconcerned with being captured in a candid shot they are now much more likely to be wary of a person with a big SLR camera. This is a shame as it will no doubt lessen the number of records of typical Perth life of the period we live in today.
Overall I feel this is an exhibit worth your time to see, especially if you find yourself at UWA anyway. It did leave me with a feeling that perhaps I’m missing something in my ‘arty’ sense. The majority of photos on exhibit didn’t do much for me, but the ones that did are worth the effort, especially to see printed large. This was the real take away point for me, I need to start printing some of my better images and sticking them up around the house or giving them to a good home, photos look great big!
The Transient States exhibit is open until Friday 12th July 2009.